A lot of people want their art to be serious, sharp, cold, minimalist. I like mine with a smudge of the abject: to see bodies touching, feel a jolt of desire or awakeness or recognition. This notion of intimacy seems to permeate a lot of the most popular art of our...

A woman walks into an art gallery - it sounds like the beginning of a (terrible) joke, but in fact, for the woman, the gallery, and many of its patrons, it was the beginning of a nightmare. The sordid tale unfolds in ‘Made You Look: A True Story of Fake Art’, a recent...

Text me back explores the dichotomous relationship between art and language. Pictures and words. Sight and speech. Images and text. The works interrogate an image’s ability to speak in words we don’t know yet, and the possibility for language to imbue an artwork with...

Our reality has shifted from the physical to the virtual. Rather than being comprised of a set of chronological events, our timeline is now an endless feed of images, links and articles, all circulating around the core issue of infection and the permeability of...

A review of the exhibition by Robert Brain and Kate Just Chapter House Lane, 1 March - 28 April 2018 Needleman, Feminist Fan is not just a show about two artists exploring the oft-overlooked and undervalued practice of weaving and needlework. It is a succinct and...

Review of the exhibition by Gonzalos Ceballos Chapter House Lane, 6th July - 29th September 2017 ‘Distant Relatives’, an installation by Gonzalo Ceballos at Chapter House Lane, is an explosion of colour, imagery, whimsy and personality, offering the viewer an intimate...

Review of exhibition at BLINDSIDE, Melbourne, 10 - 27 May 2017 Carla Adams, Jessie Adams, Emily Besser, Clara Bradley, Frances Cannon, Jessica Cochrane, Zoe Croggon, Anna Farago, Kate Just, Anthea Kemp, Stephanie, Kim Leutwyler, Zoe Wong Curated by Sophia Cai Clara...